¤³¤Î¾¦ÉʤΥ¡¼¥ï¡¼¥É
·úÃÛ»¨»ï¡Ê¥¿¥¤¥È¥ëÊÌ¡Ë El croquis¡Ê¥¨¥ë¡¦¥¯¥í¥Ã¥¡¼¡Ë 2000ǯÂå ·úÃÛ»¨»ï¡Ê½ÐÈÇǯÊÌ¡Ë 2000ǯÂå 2000ǯ ·úÃÛ²È ËåÅçÏÂÀ¤¡ÜÀ¾ÂôΩ±Ò/SANAA
el croquis editorial,
2000ǯ, 230p, 340¡ß250mm, soft, ±Ñ¡¦À¾Ê¸Ê»µ
ËåÅçÏÂÀ¤¡¢À¾ÂôΩ±Ò¤Ë¤è¤ëSANAA¤Î¥â¥Î¥°¥é¥Õ¡£
SANAA¡¢¤ª¤è¤ÓËåÅç¡¢À¾Âô
³ÆÌ¾µÁ¤ÎºîÉÊ¡¦¥×¥í¥¸¥§¥¯¥È19Âê¤ò¼ýÏ¿¡£
KAZUYO SEJIMA &
ASSOCIATES
¡¦ Gifu Kitagata Apertment Building
¡¦ U-Building
¡¦ Small
House
SANAA [Kazuyo Sejima¡ÜRyue Nishizawa]
¡¦ Multi-media
Workshop in Oogaki
¡¦ N-Museum
¡¦ S-House
¡¦ M-House
¡¦
K-Building
¡¦ Park Cafe
¡¦ O-Museum
¡¦ Day-Care Center for the Elders
¡¦
Museum of Contemporary Art, Sydney
¡¦ New Campus Center for the lllinois
Institute of Technology
¡¦ Center for Contemporary Arts, Rome
¡¦
Stadstheater in Almere
¡¦ Recuperation of the Antique Quarter of Salerno
¡¦
Contemporary Art Museum, Kanazawa
OFFICE OF RYUE NISHIZAWA
¡¦ Weekend
House
¡¦ Private House
ɽ»æ¤Ë¿¾¯¥¹¥ì¡¢¥¥º¡¢¥ä¥±¡£
ÇØ¤Ë¿¾¯³«¤¥¸¥ï¡£
¾®¸ýÅ·ÃÏ¡¢¥Ú¡¼¥¸¼þ±ïÉô¿¾¯¥ä¥±¡£
¤½¤Î¾Îɹ¥¡£
¢¨²èÁü¤Ï»²¹ÍÍÑ¥µ¥ó¥×¥ë¤Ç¤¹¡£¼Âʪ¤Î¾õÂ֤Ͼ¦ÉÊÀâÌÀ¤ò¤´³Îǧ¤¯¤À¤µ¤¤¡£
a+u1992ǯ4·îÎ×»þÁý´©¹æ¡Ã¥ô¥¡¥¤¥ª¥ì¥¤¥Æ¥£¥Ã¥É¡¦¥Ñ¡¼¥Õ¥§¥¯¥·¥ç¥ó: ·úÃÛ¡¢¤½¤·¤Æ¶áÂå¤ÎÊø²õ
1,650±ß(Àǹþ)
SDÊ̺ý26¡Ã¥¢¥Ñ¡¼¥È¥á¥ó¥È¤Î¥¤¥ó¥Æ¥ê¥¢: ·úÃ۲Ȥˤè¤ë¥¢¥Ñ¡¼¥È¥á¥ó¥È¤Î¥¤¥ó¥Æ¥ê¥¢¥Ç¥¶¥¤¥ó¡¡
1,650±ß(Àǹþ)
