·úÃÛÀìÌç¤Î¸ÅËܲ°¡Ã¸Å½ñ»³æÇ¿é¡Ã·úÃÛ½ñ¡¦·úÃÛ»¨»ï¤ÎÇã¼èÈÎÇä
a+u2009ǯ12·î¹æ¡Ã¥¸¥ç¥ó¡¦¥Ø¥¤¥À¥Ã¥¯ºÆ¹Í
a+u2009ǯ2·î¹æ¡Ã¥ë¥¤¥¹¡¦¥«¡¼¥ó¤Î½»Âð
a+u ÌڤηúÃÛ 4¹æ¥»¥Ã¥È
a+u ½»ÂðÆÃ½¸ 10¹æ¥»¥Ã¥È ½»Âð125Âê
a+u2000ǯ6·î¹æ¡ÃARO, ¥¢¡¼¥¥Æ¥¯¥Á¥å¥¢¡¦¥ê¥µ¡¼¥Á¡¦¥ª¥Õ¥£¥¹
a+u2000ǯ5·î¹æ¡Ã¥¢¥á¥ê¥«À¾³¤´ß¤Î·úÃÛ²È
a+u ÌڤηúÃÛ 4¹æ¥»¥Ã¥È
a+u ½»ÂðÆÃ½¸ 10¹æ¥»¥Ã¥È ½»Âð125Âê
a+u2009ǯ12·î¹æ¡Ã¥¸¥ç¥ó¡¦¥Ø¥¤¥À¥Ã¥¯ºÆ¹Í
a+u2009ǯ2·î¹æ¡Ã¥ë¥¤¥¹¡¦¥«¡¼¥ó¤Î½»Âð
a+u2010ǯ3·î¹æ¡Ã20À¤µªÌ¾·úÃۤκÆÀ¸
a+u2003ǯ11·î¹æ¡ÃOMA/Experience ¥ì¥à¡¦¥³¡¼¥ë¥Ï¡¼¥¹
a+u2001ǯ11·î¹æ¡Ã¥¶¥Ï¡¦¥Ï¥Ç¥£¥É
a+u2010ǯ11·î¹æ¡Ã¥Î¥ô¥¡¥ë¥Æ¥£¥¹¡¦¥¥ã¥ó¥Ñ¥¹ 2010
a+u2010ǯ7·î¹æ¡Ã¾å³¤¹ñºÝÇîÍ÷²ñ2010¡ÜË̵þ¤ÎºÇ¿·¥×¥í¥¸¥§¥¯¥È
a+u2010ǯ5·î¹æ¡Ã·úÃۤο·¤·¤¤Êý¸þÀ: ¥Ë¥å¡¼¥è¡¼¥¯¤Î¥µ¥¹¥Æ¥¤¥Ê¥Ó¥ê¥Æ¥£¤È¥Æ¥¯¥Î¥í¥¸¡¼
a+u2010ǯ4·î¹æ¡Ã¥Ù¥ë¥®¡¼¤È¥ª¥é¥ó¥À¤Î·úÃÛ
a+u2009ǯ9·î¹æ¡Ã¥É¥ß¥Ë¥¯¡¦¥Ú¥í¡¼¡¿DPA Today
a+u2009ǯ6·î¹æ¡Ã¾®¤µ¤Ê·úÃÛ
a+u2008ǯ12·î¹æ¡Ã´Ä¶¤È¸þ¤¹ç¤¦¥É¥¤¥Ä¤Î·úÃÛ
a+u2007ǯ2·î¹æ¡Ã¥·¥¢¥¿¡¼¡õ¥Û¡¼¥ë
a+u2007ǯ12·î¹æ¡ÃºÇ¿·¥×¥í¥¸¥§¥¯¥È¡¿¥¢¥¬¡¦¥«¡¼¥ó·úÃÛ¾Þ
a+u2007ǯ11·î¹æ¡Ã¥Ç¥¤¥ô¥£¥Ã¥É¡¦¥¢¥¸¥ã¥¤: ½Å¤Ê¤ê¹ç¤¦¥¤¥ó¥¹¥Ô¥ì¡¼¥·¥ç¥ó
a+u2002ǯ11·î¹æ¡ÃSOM
a+u2002ǯ3·î¹æ¡Ã°ÂÆ£Ãéͺ/¥¤¥ó¥µ¥¤¥É¡¦¥¢¥¦¥È¥µ¥¤¥É
a+u1997ǯ10·î¹æ¡Ã¥ê¥ô¥£¥ª¡¦¥ô¥¡¥Ã¥¡¼¥Ë¡¢He&deM ¤Û¤«
a+u1997ǯ12·î¹æ¡Ã¥«¡¼¥ë-¥ô¥£¥´¡¦¥Û¥ë¥à¥Ð¥Ã¥¯5Âê/¥µ¡¼¥¸¥½¥ó¡¦¥Ù¥¤¥Ä/RFR¤Û¤«
a+u2001ǯ10·î¹æ¡ÃÎû´¤¤Î·úÃÛ
a+u1998ǯ4·î¹æ¡ÃÀФηúÃÛ
a+u1999ǯ12·î¹æ¡Ã¥Þ¥É¥ê¡¼¥É¤Î·úÃ۲Ȥȸø¶¦·úÃÛ
a+u1999ǯ10·î¹æ¡Ã¥ê¥¢¥ê¥Æ¥£¡© ¥ô¥¡¡¼¥Á¥ã¥ë¡¦¥ê¥¢¥ê¥Æ¥£¡©
a+u1999ǯ11·î¹æ¡Ã¥Ñ¥È¥ê¥Ã¥¯¡¦¥Ù¥ë¥¸¥å
a+u1999ǯ9·î¹æ¡Ã¥®¥´¥ó¡¦¥¢¥ó¥É¡¦¥´¥ä¡¼¡¿¥¯¥é¥¦¥¹¡¦¥¨¥ó¡¦¥«¡¼¥ó¡¿¥¤¥§¥ó¥»¥ó¡õ¥¹¥³¥É¥ô¥£¥ó
a+u1999ǯ8·î¹æ¡ÃºÆÀ¸¤ÈÊÑÍÆ: ¥æ¥Ï¡¦¥ì¥¤¥ô¥£¥¹¥«¡¿¥Ø¥ë¥Ä¥©¡¼¥°¡¦¥¢¥ó¥É¡¦¥É¡¦¥à¥í¥ó¡¿¥¢¥ë¥ô¥¡¥í¡¦¥·¥¶¤Û¤«
a+u1999ǯ7·î¹æ¡Ã¥Õ¥å¡¼¥Á¥å¥¢¡¦¥·¥¹¥Æ¥à¥º¡¿¥Þ¥Ã¥«¥ê¡¼¡¦¥Ë¡¼¥¢¥Ë¡¼ ¤Û¤«
a+u1999ǯ3·î¹æ¡Ã¥ì¥à¡¦¥¢¥ó¥É¡¦¥Ù¥ó
a+u1997ǯ9·î¹æ¡Ã¥¢¥ê¥¹¡¦¥¢¥ó¥É¡¦¥â¥ê¥½¥ó11Âê¡¿¥ô¥¡¥ì¥ê¥ª¡¦¥ª¥ë¥¸¥¢¥Æ¥£3Âê
a+u1997ǯ6·î¹æ¡Ã¥¯¥ê¥¹¥Á¥ã¥ó¡¦¥É¡¦¥Ý¥ë¥¶¥ó¥Ñ¥ë¥¯3Âê¤Û¤«
a+u1997ǯ5·î¹æ¡Ã¥µ¥¹¥Ê¥Æ¥£¥Ö¥ë¡¦¥¢¡¼¥¥Æ¥¯¥Á¥å¥¢¡õ¥¨¥ó¥ô¥¡¥¤¥í¥á¥ó¥È
a+u1997ǯ4·î¹æ¡Ã½¸¹ç½»Âð4Âê¡§¥®¥´¥ó/¥´¥ä¡¼¡¢¥½¥¦¥È¡¦¥Ç¡¦¥â¥¦¥é ¤Û¤«
a+u1997ǯ3·î¹æ¡Ã¥È¥Ë¡¼¡¦¥Õ¥ì¥Ã¥È¥ó¡¢¥¸¥ç¡¼¥¸¡¦¥é¥Ê¥ê¡¢¥«¥ë¥í¥¹¡¦¥Õ¥§¥é¥Æ¡¼¥ë¤Û¤«
a+u2003ǯ8·î¹æ¡Ã¥¨¥é¥Ç¥£¥ª¡¦¥Ç¥£¥¨¥¹¥Æ
a+u2010ǯ10·î¹æ¡Ã¥Õ¥é¥ó¥¹¤Î¥¹¥í¡¼¡¦¥¢¡¼¥¥Æ¥¯¥Á¥å¥¢
a+u2010ǯ8·î¹æ¡Ã¥¹¥¤¥¹¤Î·úÃÛ: ÊѤï¤é¤Ê¤¤´¶À
a+u2007ǯ9·î¹æ¡Ã¥¹¥¤¥¹¡¦¥Ñ¥Ã¥·¥ç¥ó
a+u2000ǯ3·î¹æ¡Ã¥¹¥¤¥¹¡¿¥Ë¥å¡¼¡¦¥ê¡¼¥¸¥ç¥Ê¥ê¥º¥à
a+u2007ǯ7·î¹æ¡Ã¼«Æ°¼Ö¤ò¤á¤°¤ë·úÃÛ
a+u2009ǯ10·î¹æ¡Ã¥¦¥Ã¥Ä¥©¥ó¡¢¥Õ¥§¡¼¥ó¡¢¤½¤·¤Æº£¡Ý¥Ç¥ó¥Þ¡¼¥¯¤È¥Î¥ë¥¦¥§¡¼¤Î·úÃÛ
a+u2007ǯ10·î¹æ¡Ã¥¤¥ó¥É: ¥°¥í¡¼¥«¥ë¡¦¥¢¡¼¥¥Æ¥¯¥Á¥å¥¢
a+u2009ǯ3·î¹æ¡Ã¥¯¥í¥¢¥Á¥¢¤È¥¹¥í¥ô¥§¥Ë¥¢¤Î·úÃÛ
a+u2003ǯ2·î¹æ¡Ã¥á¥¥·¥³¤Î·úÃÛ
a+u2009ǯ5·î¹æ¡Ã¥¢¥ë¥¼¥ó¥Á¥ó¤Î·úÃÛ
10Æü¤Ç¥Þ¥¹¥¿¡¼! VECTORWORKS¡ÊVECTORWORKS ARCHITECT/DESIGN SUITE 2022Âбþ¡Ë
ºî¤Ã¤Æ³Ð¤¨¤ë SketchUp¤Î°ìÈ֤狼¤ê¤ä¤¹¤¤ËÜ
¤ä¤µ¤·¤¯³Ø¤ÖSketchUp¡ÊSketchUp 2022Âбþ¡Ë
·úÃÛÃμ±2023ǯ5·î¹æ¡ÃǤΤ¿¤á¤Î´Ö¼è¤ê
·úÃÛÃμ±2022ǯ2·î¹æ¡ÃÀ¤³¦°ìÈþ¤·¤¤¾®¤µ¤Ê°û¿©Å¹¤Îºî¤êÊý
·úÃÛÃμ±2021ǯ2·î¹æ¡ÃǼ¤Þ¤êǽÎϤòºÇÂ綯²½¡ª¥Ç¥£¥Æ¡¼¥ë¿Ê²½µ»½Ñ
·úÃÛÃμ±2020ǯ8·î¹æ¡Ã¸½¾ì¤¬¥¹¥Ã¥¥ê¤ï¤«¤ë ¥×¥ì¥«¥Ã¥ÈºÇ¶¯¤Î¶µ²Ê½ñ
·úÃÛÃμ±2020ǯ7·î¹æ¡Ã·úÃÛ¤ÈÇØ·Ê²è¤Î3DCGºÇ¿·µ»½Ñ
·úÃÛÃμ±2019ǯ9·î¹æ¡Ã¿´ÃϤ褵¤ÎÈëÌ©¤òŰÄì²ò˶¡ª Ê¿²°Àß·×À®¸ù¤ÎÊýÄø¼°
·úÃÛÃμ±2019ǯ5·î¹æ¡Ã¼«Á³ºÒ³²¤ËÉ餱¤ë¤Ê ÎáϤβȤŤ¯¤ê
·úÃÛÃμ±2018ǯ12·î¹æ¡Ã°ìÀ¸»È¤¨¤ë¥µ¥¤¥º»öŵ ½»Âð¤Î¥ê¥¢¥ëÀ£Ë¡
ð²¼·ò»°¡ÃAnthony Hordern Building¡Ê¸½¥·¥É¥Ë¡¼¡¦¥ï¡¼¥ë¥É¡¦¥¹¥¯¥¨¥¢¡Ë¡¿3Åï¹½À®»þ¥×¥ì¥¼¥ó¥Æ¡¼¥·¥ç¥ó»ñÎÁ
a+u2001ǯ2·î¹æ¡Ã70ǯÂå¤òÆÉ¤à
a+u2006ǯ1·î¹æ¡Ã¥¢¡¼¥¥Æ¥¯¥Ä¡¦¥ª¥Õ¥£¥¹
¥Ç¥£¡¼¥Æ¥¤¥ë¡¦¥¸¥ã¥Ñ¥ó2008ǯ1·î¹æ¡Ã¥Ç¥¶¥¤¥ó¤ÎÉý¤ò¹¤²¤ëÆ©²áÁǺࡿ¿Ê²½¤¹¤ë½¸½»
¥Ç¥£¡¼¥Æ¥¤¥ë¡¦¥¸¥ã¥Ñ¥ó2007ǯ9·î¹æ¡Ã¥³¥ó¥¯¥ê¡¼¥È¡¦¥ì¥ó¥¬¡¦ÀФò»È¤Ã¤¿·úÃÛ¡¿¸÷¤È¤È¤â¤Ë¤¢¤ë²È
¥Ç¥£¡¼¥Æ¥¤¥ë¡¦¥¸¥ã¥Ñ¥ó2007ǯ4·î¹æ¡Ã¥ß¥å¡¼¥¸¥¢¥à
¥Ç¥£¡¼¥Æ¥¤¥ë¡¦¥¸¥ã¥Ñ¥ó2006ǯ10·î¹æ¡Ã¸÷¤È¥¤¥ó¥Æ¥ê¥¢: ¡Ö¸÷¤Î¶õ´Ö¡×¤ò¤¤¤«¤Ë¤Ä¤¯¤ê½Ð¤¹¤«
¥Ç¥£¡¼¥Æ¥¤¥ë¡¦¥¸¥ã¥Ñ¥ó2006ǯ8·î¹æ¡Ã½¸¹ç½»Âð¤Î¸½ºß
¥Ç¥£¡¼¥Æ¥¤¥ë¡¦¥¸¥ã¥Ñ¥ó2006ǯ6·î¹æ¡Ã¥³¥ó¥¯¥ê¡¼¥È·úÃÛ¡ÊÉÕÏ¿¥¹¥±¡¼¥ëÉÕ¡Ë
¥Ç¥£¡¼¥Æ¥¤¥ë¡¦¥¸¥ã¥Ñ¥ó2005ǯ ÁÏ´©Á°ÆÃÊ̹æ¡ÊÈóÇäÉʡˡ嬥饹·úÃÛ
a+u2007ǯ4·î¹æ¡Ã¥¢¥ë¥ô¥¡¥í¡¦¥·¥¶¤È¥Ý¥ë¥È¥¬¥ë¤Î·úÃÛ²È
a+u2002ǯ4·î¹æ¡Ã¥¹¥¤¥¹¤Î·úÃÛ²È: ¥ô¥¡¥ì¥ê¥ª¡¦¥ª¥ë¥¸¥¢¥Æ¥£¡õ¥¨¥Ã¥«¡¼¥È¡Ü¥¨¥Ã¥«¡¼¥È
KPF: Vision and Process Europe 1990-2002¡¿¥³¡¼¥ó¡¦¥Ú¥À¡¼¥»¥ó¡¦¥Õ¥©¥Ã¥¯¥¹¡¦¥í¥ó¥É¥ó»ö̳½êºîÉʽ¸
KPF: ¥³¡¼¥ó¡¦¥Ú¥À¡¼¥»¥ó¡¦¥Õ¥©¥Ã¥¯¥¹ºîÉʽ¸ 1993-2002
KPF: ¥³¡¼¥ó¡¦¥Ú¥À¡¼¥»¥ó¡¦¥Õ¥©¥Ã¥¯¥¹ºîÉʽ¸ 1986-1992
KPF: ¥³¡¼¥ó¡¦¥Ú¥À¡¼¥»¥ó¡¦¥Õ¥©¥Ã¥¯¥¹¡¡À¤³¦¤Î·úÃ۲ȥ·¥ê¡¼¥º10Áª
¥×¥í¥»¥¹¥¢¡¼¥¥Æ¥¯¥Á¥å¥¢75¡Ã¥ô¥§¥Í¥Ä¥£¥¢: ¤½¤Î¸½¼Â¤È¶õÁۤξì
·úÃÛ²èÊó2011ǯ3·î¹æ/344¹æ¡ÃÄ©À魯¤ë¹½Â¤
·úÃÛÃμ±2023ǯ12·î¹æ¡Ã¥¯¥ê¥¨¥¤¥¿¡¼¤Î¤¿¤á¤Î[²èÁüAI&ChatGPT]´°Á´³èÍѽѡÊÉÕÏ¿·ç¡Ë
·úÃÛÃμ±2023ǯ11·î¹æ¡ÃÂç²þÀµ¡Î·úÃÛ´ð½àË¡¡¦¾Ê¥¨¥ÍË¡¡ÏŰÄì¾Ü²ò¡ÊÉÕÏ¿·çÉÊ¡Ë
·úÃÛÃμ±2023ǯ6·î¹æ¡ÃÀ¤³¦¤Î¿À¡¹¤¬¶µ¤¨¤ë¡ª¥¤¥é¥¹¥È·úÃÛ´ð½àË¡
·úÃÛÃμ±2023ǯ4·î¹æ¡ÃÌÚ¡¦S¡¦RC¥é¥¯¥é¥¯¹½Â¤Î¬»»
·úÃÛÃμ±2023ǯ2·î¹æ¡ÃÊ¿°Â¤«¤éÎáÏ»þÂå¤Þ¤Ç ºî²È¤Î½»¤Þ¤¤¤ÈÊë¤é¤·¾ÜÀ⳨´¬
·úÃÛÃμ±2023ǯ1·î¹æ¡Ã¿·¶ÈÂ֥ȥì¥ó¥É100 ¿·¤·¤¤¤ªÅ¹¤Îºî¤êÊý
·úÃÛÃμ±2022ǯ10·î¹æ¡Ã·úÃۤι½À®¼êË¡¡¢¹½Ë¡¤òÁí¤¶¤é¤¤ ·úʪ¡ÖÁȤßΩ¤Æ¡×¿Þ´Õ
·úÃÛÃμ±2022ǯ9·î¹æ¡ÃÌÚ¤¡¦S¤¡¦RC¤¡ÖÃÇÇ®¡¦µ¤Ì©¡×ºÇ¿·ÈÇ
·úÃÛÃμ±2022ǯ7·î¹æ¡Ã·úÃÛCONVERSION!! ÈËÀ¹¥ê¥Î¥Ù¡¼¥·¥ç¥ó
·úÃÛÃμ±2022ǯ6·î¹æ¡Ã¥×¥í¤È¤·¤ÆÃѤò¤«¤«¤Ê¤¤¤¿¤á¤Î¹½Â¤¥¡¼¥ï¡¼¥É36
·úÃÛÃμ±2022ǯ4·î¹æ¡ÃÍͼ°¡¦¥¹¥¿¥¤¥ëÊ̽»¶õ´Ö¤Î´ðËÜ
·úÃÛÃμ±2022ǯ3·î¹æ¡ÃºÇ¹â¤Î³°¹½¡¦¥¨¥¯¥¹¥Æ¥ê¥¢132¤Î¥ì¥·¥Ô
·úÃÛÃμ±2022ǯ1·î¹æ¡Ã½»Âð¡¦Å¹ÊÞ¤ÎÌ¥ÎϤò°ú¤½Ð¤¹¡ªÁǺࡦ·úºà¿Þ´Õ
·úÃÛÃμ±2021ǯ11·î¹æ¡Ã·úÃÛ´ð½àË¡¡Ü¾Ê¥¨¥ÍË¡¤Î²þÀµ 2019¡Ý2021¾ÜºÙ²òÀâ
·úÃÛÃμ±2021ǯ10·î¹æ¡Ã²þÀµ·úÃÛʪ¾Ê¥¨¥ÍË¡¡¦¿·¤·¤¤À¸³èÍͼ°¤ËÂбþ¡ª ÀßÈ÷¤Î¿·¾ï¼±
·úÃÛÃμ±2021ǯ9·î¹æ¡Ã¶¹¾®ÃϤÎÈþ¤·¤¤²°º¬¤ÈºÇ¶¯¤Î¾®²°ÁÈ
·úÃÛÃμ±2021ǯ8·î¹æ¡Ã¹©»öÈñ¤Ê¤ó¤«¤³¤ï¤¯¤Ê¤¤ ·úÃÛ¥³¥¹¥Èά»»Ë¡
·úÃÛÃμ±2021ǯ7·î¹æ¡ÃºÇ¹â¤Ë³Ú¤·¤¤´Ö¼è¤ê
·úÃÛÃμ±2021ǯ6·î¹æ¡ÃºÇ¹â¤Î·úʪ¤È³¹¤òÉÁ¤¯µ»½Ñ
·úÃÛÃμ±2021ǯ5·î¹æ¡ÃRC¤ ¸½¾ì¤¬¤ß¤¨¤ë¼Ì¿¿Ä¡
·úÃÛÃμ±2021ǯ4·î¹æ¡Ã¼êÉÁ¤¤¬ÅÁ¤¨¤ë·úÃÛ¤Î»Ñ ¥¹¥±¥Ã¥Á¥³¥ß¥å¥Ë¥±¡¼¥·¥ç¥ó
·úÃÛÃμ±2021ǯ3·î¹æ¡Ã¸½¾ì·º»ö¤È³Ø¤Ö¡ª3¥¹¥Æ¥Ã¥×ÌÚ¤¸½¾ìÆþÌç
·úÃÛÃμ±2020ǯ12·î¹æ¡Ã¿··¿¥³¥í¥Ê¤ËÉ餱¤Ê¤¤ ·úÃÛ¤ÎÀǽ¤È´Ö¼è¤ê
·úÃÛÃμ±2020ǯ3·î¹æ¡ÃÅÁÀâ¤ÎÃæ´ÖÎΰè¤ò¥Þ¥¹¥¿¡¼¤¹¤ë ·úÃÛ¤ÎÆâ³°¤ò¤Ä¤Ê¤²¤ëÀß·×¼êË¡
·úÃÛÃμ±2020ǯ2·î¹æ¡Ã¶õÁ°Àä¸å¤Î¥µ¥Ð¥¤¥Ð¥ë!!10ǯ¸å¤ËÀ¸¤»Ä¤Ã¤Æ¤¤¤¿¤¤¤Ê¤é¡¢ÀäÂÐɬÍפÊÃμ±¤Èµ»½Ñ
·úÃÛÃμ±2019ǯ12·î¹æ¡ÃÀäÂФ˲¡¤µ¤¨¤¿¤¤Ç¼¤Þ¤ê´ðËܤΡ֤¡×100ËܥΥå¯
·úÃÛÃμ±2019ǯ4·î¹æ¡Ã³¤³°¤Ë³Ø¤ÖǤΤ¿¤á¤Î²È¤Å¤¯¤ê
·úÃÛÃμ±2019ǯ2·î¹æ¡Ã¤¤¤Þ½»¶õ´Ö¤¬¤ª¤â¤·¤í¤¤¡ª
·úÃÛÃμ±2019ǯ1·î¹æ¡Ã´Ö¼è¤ê¤Î¤¹¤´¤¤¿·¾ï¼±
·úÃÛÃμ±2016ǯ7·î¹æ¡Ã¤ï¤º¤«1Æü¤Ç¨ÀïÎϤˤʤëºÇ¿·ºàÎÁ¤Î¶Ë°Õ300+DVD¥Ó¥Ç¥ª
·úÃÛÃμ±2015ǯ4·î¹æ¡Ã¸½¾ì¼Ì¿¿¤Ç³Ø¤Ö¼Â»Ü¿ÞÌ̤ÎÉÁ¤Êý
Die Bauhaus Idee: Entwurf, Weiterfuhrung, Rezeption¡¿¥Ð¥¦¥Ï¥¦¥¹¤ÎÍýǰ: ¹½ÁÛ¡¦·Ñ¾µ¡¦¼õÍÆ
ÅìµþÅÔ¿·Ä£¼Ë: ¥Õ¥©¥È¥É¥¥å¥á¥ó¥È¡Ü·×²è¡¦µ»½Ñ¥¹¥¿¥Ç¥£¡Ê·úÃÛʸ²½Ê̺ý¡Ë
´Ä¶¤È¤·¤Æ¤Î·úÃÛ: ·úÃۥǥ¶¥¤¥ó¤È´Ä¶µ»½Ñ¡¡¥ì¥¤¥Ê¡¼¡¦¥Ð¥ó¥Ï¥à
Santiago Calatrava's Creative Process¡¿¥µ¥ó¥Æ¥£¥¢¥´¡¦¥«¥é¥È¥é¥Ð ¥¯¥ê¥¨¥¤¥Æ¥£¥Ö¥×¥í¥»¥¹
¤ß¤ó¤Ê¤Î½»¤¤¡¡Ã«¸ýµÈϺ: ÊÔ
¹õÀ¾Ï: ÅԻԥǥ¶¥¤¥ó¤Î»×ÁۤȼêË¡
¼«Í³Íͼ°¤Ø¤ÎÆ» ·úÃ۲Ȱ°æÉðͺÅÁ¡¿»³¸ý×¢
Michael Sorkin Studio: Wiggle¡¿¥Þ¥¤¥±¥ë¡¦¥½¡¼¥¥ó¡¦¥¹¥¿¥¸¥ªºîÉʽ¸
Stadtraum in Theorie und Praxis¡¿Rob Krier¡Ê¥í¥Ö¡¦¥¯¥ê¥¨: ÅԻԤȷúÃۤΥ¿¥¤¥Ý¥í¥¸¡¼¡Ë
¥Á¥ã¡¼¥ë¥º¡¦¥°¥ï¥¹¥ß¡¼¤È¥í¥Ð¡¼¥È¡¦¥·¡¼¥²¥ë¤Î½»Âð
À¤³¦¤Î¸½Âå·úÃÛ Plans, Sections and Elevations¡ãCD-ROMÉÕ¡ä
ÆîËþ½£¤Î¶áÂå·úÃÛ¡Ê»ä²ÈÈÇ¡ËÀ¾Åĵ®»Ö
¥Ç¥£¥Æ¡¼¥ëÊ̺ý¡ÃËÉ¿å¥Ç¥¶¥¤¥ó¤Î¸½ºß: Ķ®¹Å²½¥¦¥ì¥¿¥óÊ£¹çËÉ¿å¤È¥Ç¥£¥Æ¡¼¥ë
¤Ä¤É¤¤¤Î¶õ´Ö: ¥É¡¼¥à·úÃۤΥǥ¶¥¤¥ó¤Èµ»½Ñ
µÜÏÆÃɤν»ÂðÀ߷ץƥ¥¹¥È¡¿µÜÏÆÃÉ·úÃÛ¸¦µæ¼¼
·úÃÛ¥¤¥ó¥Æ¥ê¥¢¡Ê½é³Ø¼Ô¤Î·úÃ۹ֺ¡Ë
¿ÞÀâ ¥¿¥¤¥ë¹©»ö
¿·Äû ·úÃۻܹ©¿Þ¤ÎÉÁ¤¤«¤¿
¼Â»Ü¿ÞÌ̤ÎÀµ¤·¤¤ÉÁ¤¤«¤¿: ¤Ï¤¸¤á¤Æ³Ø¤Ö·úÃÛÀ½¿Þ
UN Studio: Design Models Architecture, Urbanism, Infrastructure¡¿UN¥¹¥¿¥¸¥ª·úÃÛºîÉʽ¸
Atelier 5: Siedlungen und staedtebauliche Projekte¡¿¥¢¥È¥ê¥¨5ºîÉʽ¸
¿Þ½¸ ÆüËÜÅÔ»Ô»Ë
º´Æ£½¨»° ·úÃÛºîÉʽ¸¡ÊÈóÇäÉÊ¡Ë
ÅÁ¤ï¤ë¿ÞÌ̤ÎÉÁ¤¤«¤¿ ½»Âð¤Î¼Â»ÜÀß·×25¤Î¿´¹½¤¨¡¿´ØËÜεÂÀ
¿··úÃÛ ½»ÂðÆÃ½¸1986ǯÅß¹æ¡Ã¿··úÃÛ½»ÂðÀß·×¶¥µ»1985ÆþÁªÈ¯É½: ¡ÖÄñ¹³¤ÎºÖ¡× ¿³ºº°÷ °ÂÆ£Ãéͺ
MAKI-THREE PROJECTS IN PROGRESS¡¡ô¢Ê¸É§
ÅÚº´ÇÉ¤Î²È 3´¬¥»¥Ã¥È
µìÄë¹ñ¥Û¥Æ¥ë¤Î¼Â¾ÚŪ¸¦µæ¡½¼Ì¿¿¡¦¿ÞÌÌÈÇ¡½¡¿ÌÀÀп®Æ»
·úÃÛʸ²½1995ǯ3·î¹æ¡ÃÃÓÊÕÍÛºÆÈ¯¸«
ARATA ISOZAKI 1959-1978¡¿°ëºê¿·ºîÉʽ¸ Âè3´¬ 1991-2000
GA ARCHITECT 19¡Ã·¨¸¦¸ã 1991-2005 + ·¨¸¦¸ãºîÉʽ¸ 2006-2012 2ºý¥»¥Ã¥È
¼ÌîÆ£¸ã ¥¤¥á¡¼¥¸¤È·úÃÛ À¸ÃÂ100ǯµÇ°
¥µ¥ì¥¸¥ª¤Î50ǯ¡ÜËÌÅıѼ£¼Ì¿¿½¸¥µ¥ì¥¸¥ª¡¡¥µ¥ì¥¸¥ª³Ø±àÁÏΩ50¼þǯµÇ°
°åÎÅ»ÜÀß¡ÊIS·úÃÛÀ߷ץƥ¥¹¥È¡Ë
¥«¥é¥à No.77¡Ãô¢Ê¸É§¡Ö»ä¤Ë¤È¤Ã¤Æ·úÃÛ°Õ¾¢¤È¤Ï²¿¤«¡×¡¿¹©Æ£¹ñͺ¡¦Ä¹Ã«ÍøÌÀ¡Ö¥Õ¥é¥ó¥¯¡¦¥Õ¥¡¡¼¥Í¥¹¤Î·úÃÛ¡×
TADAO ANDO¡¿°ÂÆ£Ãéͺ¡ÊArchitectural Monographs No.14¡Ë
REAL BONES: ¹ü³Ê¤Èµ¡Ç½Èþ
¸«¤ë¬¤ë·úÃÛ¡¡±óÆ£¾¡´«
Conceptual Architecture¡¿¥³¥ó¥»¥×¥Á¥å¥¢¥ë¡¦¥¢¡¼¥¥Æ¥¯¥Á¥å¥¢
Paul Rudolph: The Florida Houses¡¿¥Ý¡¼¥ë¡¦¥ë¥É¥ë¥Õ ¥Õ¥í¥ê¥À¤Î½»Âð
MORPHOSIS RECENT PROJECT/¥â¡¼¥Õ¥©¥·¥¹ ºÇ¿·¥×¥í¥¸¥§¥¯¥È
Double-Skin Facades: Integrated Planning¡¿¥À¥Ö¥ë¥¹¥¥ó¥Õ¥¡¥µ¡¼¥É
LOTUS 26¡ÃHybrid Architecture
LOTUS 25¡ÃThe Search for Forms: ¥¶¥Ï¡¦¥Ï¥Ç¥£¥É/¥ì¥à¡¦¥³¡¼¥ë¥Ï¡¼¥¹/OMA/¥Þ¥ê¥ª¡¦¥Ü¥Ã¥¿/¥¢¥ë¥É¡¦¥í¥Ã¥·
LOTUS 24¡ÃUnity and Fragments: ¥ª¥º¥ï¥ë¥É¡¦¥Þ¥Æ¥£¥¢¥¹¡¦¥¦¥ó¥¬¡¼¥¹/¥ì¥ª¥ó¡¦¥¯¥ê¥¨/¥ê¥Á¥ã¡¼¥É¡¦¥×¥é¥ó¥Ä
LOTUS 23¡ÃCatalonia: ¥«¥¿¥ë¡¼¥Ë¥ã
LOTUS 22¡ÃSmall Works: ¥Þ¥¤¥±¥ë¡¦¥°¥ì¥¤¥Ö¥¹/¥ª¥º¥ï¥ë¥É¡¦¥Þ¥Æ¥£¥¢¥¹¡¦¥¦¥ó¥¬¡¼¥¹/¥í¥Ö¡¦¥¯¥ê¥¨/¥¢¥ë¥ô¥¡¥í¡¦¥·¥¶
LOTUS 21¡ÃArchitecture in the University: Europe¡¡¥è¡¼¥í¥Ã¥Ñ¤ÎÂç³Ø·úÃÛ
LOTUS 20¡ÃFrom the Archives of Modern Architecture II
LOTUS 19¡ÃThe Urban Block: ¥ì¥ª¥ó¡¦¥¯¥ê¥¨/¥è¡¼¥¼¥Õ¡¦¥Ñ¥¦¥ë¡¦¥¯¥é¥¤¥Õ¥¹/¥ì¥à¡¦¥³¡¼¥ë¥Ï¡¼¥¹/¥í¥Ö¡¦¥¯¥ê¥¨
LOTUS 15¡ÃMatter and Materials: ¥¢¥ë¥É¡¦¥í¥Ã¥·/¥Þ¥ê¥ª¡¦¥Ü¥Ã¥¿/¥«¥ë¥í¡¦¥¢¥¤¥â¥Ë¡¼¥Î
LOTUS 12¡ÃWorking Environment: ¥Ü¥ë¥Ü¹©¾ì/¥Õ¥£¥¢¥Ã¥È¹©¾ì/¥Ú¡¼¥¿¡¼¡¦¥Ù¡¼¥ì¥ó¥¹¡ÖAEG¡×
LOTUS 9¡ÃThe House: ¥¢¥ë¥ô¥¡¥í¡¦¥·¥¶/¥í¥Ö¡¦¥¯¥ê¥¨/¥Þ¥Ã¥·¥â¡¦¥¹¥³¥é¡¼¥ê/¥Ô¡¼¥¿¡¼¡¦¥¢¥¤¥¼¥ó¥Þ¥ó/¥¸¥ç¥ó¡¦¥Ø¥¤¥À¥Ã¥¯
LOTUS 8¡ÃThe Place of Houses: ¥Á¥ã¡¼¥ë¥º¡¦¥à¡¼¥¢¡ÊMLTW¡Ë/¥í¥Ð¡¼¥È¡¦¥ô¥§¥ó¥Á¥å¡¼¥ê/¥¬¥¨¡¦¥¢¥¦¥ì¥ó¥Æ¥£
¥¢¥Ë¥Þ¥ë¤«¤é¿Í´Ö¤Ø¡¿¥Ô¥é¥ß¥Ã¥É¤«¤éÌÖ¤ÎÌÜ¤Ø¡ÊÆó½½°ìÀ¤µª¤ÎÆüËÜ ¾å²¼2´¬Â·¡ËµÈºåδÀµ¡¦±§ÌîÀµÍº ÊÔ
¥Õ¥£¥ê¥Ô¥ó¤ÎÆü¡¹¡¡À¾ß·Ê¸Î´
¿··úÃÛÀ߷ץΡ¼¥È ¥Ç¥£¥Æ¡¼¥ë¤ò¹Í¤¨¤ë
¿··úÃÛÀ߷ץΡ¼¥È ³Ø¹»
Á´Ä´ºº Å쥢¥¸¥¢¶áÂå¤ÎÅԻԤȷúÃÛ¡¿Æ£¿¹¾È¿®¡¦Ýêó
»²²Ã¤ÈÊ£¹ç: ·úÃÛ¤Î̤Íè¤È¤½¤Î¹½À®Í×ÁÇ ¥ë¥·¥¢¥ó¡¦¥¯¥í¡¼¥ë / ½»¤Þ¤¤³ØÂç·Ï031
ÆüËÜ̾·úÃÛ¤ÎÈþ ¤½¤Î¿´¤È·Á¡¿À¾ß·Ê¸Î´
ÎФΥǥ¶¥¤¥ó¿Þ´Õ ÇÛ¿¢¤Î¥Æ¥¯¥Ë¥Ã¥¯¤ÈºîÄí¤Î¼êË¡ [1998ǯÈÇ]
Ãæ¹ṉ̃µï¤Î¶õ´Ö¤òõ¤ë ·²µïÎཻ¡Ý¡È¸÷¡¦¿å¡¦ÅÚ¡ÉÃæ¹ñÅìÆîÉô¤Î½»¶õ´Ö
Santiago Calatrava: The Artworks¡¿¥µ¥ó¥Æ¥£¥¢¥´¡¦¥«¥é¥È¥é¥Ð ȯÁۤθ»¤È¤·¤Æ¤Î¥¢¡¼¥È¥ï¡¼¥¯
¸½Âå¤Î²È¶ñ¥·¥ê¡¼¥º Á´5´¬Â·
Process of the Works ½»Âð¤ÎÀß·×ÊýË¡¡¡»³ÅÄÀ¿°ì
À¾Âôʸδ¾®ÏÀ½¸ Á´4´¬Â·¡Ê¥³¡¼¥È¡¦¥Ï¥¦¥¹ÏÀ/Äí±àÏÀI¡ÁIII¡Ë
·úÃÛʸ²½1977ǯ11·î¹æ¡Ã¾Ý¥°¥ë¡¼¥×¡¦²Æì¤Î»Å»ö 1971-1977
·úÃÛʸ²½1984ǯ11·î¹æ¡Ãô¢Ê¸É§VS¸¶¹»Ê¡Ö¿·¤¿¤Ê¤ë¾Ýħ¤Î¥Ç¥¶¥¤¥ó¡×¡¿ô¢Ê¸É§¡ÖÆ£Âô»Ô½©ÍÕÂæÊ¸²½Âΰé´Û¡×¡¿°ÂÆ£Ãéͺ¡Ö¥Õ¥§¥¹¥Æ¥£¥Ð¥ë¡×
·úÃÛʸ²½1987ǯ1·î¹æ¡Ã¥¢¥Ð¥ó¥®¥ã¥ë¥É¤ÎÉ÷·Ê'87¡½ô¢Ê¸É§¡¦Ìӹ˵£Û¥¡¦Ä¹Ã«Àî°ï»Ò¤é¤ÎŸ³«
·úÃÛʸ²½2003ǯ10·î¹æ¡Ã¥¹¥¿¥Ç¥£¡¦¥ª¥ó¡¦¥¹¥¿¥Ç¥£
·úÃÛʸ²½2003ǯ2·î¹æ¡Ã·úÃÛ¤ÎȯÌÀ
¸ø¶¦¥Û¡¼¥ë¡Ã·úÃ۷ײ衦Àß·×¥·¥ê¡¼¥º12
Seventy Nordic Architects¡¿70¿Í¤Î¸½ÂåË̲¤·úÃÛ²È
·úÃÛʸ²½1997ǯ8·î¹æ¡Ã¥¹¥Æ¥£¡¼¥ô¥ó¡¦¥Û¡¼¥ë : Æó½Å¤Î°ÕÌ£
Architectural Material & Texture I+II 2´¬Â·
Julius Shulman: Modernism Rediscovered¡¿¥¸¥å¥ê¥¢¥¹¡¦¥·¥ã¥ë¥Þ¥ó·úÃۼ̿¿½¸
DISCONT: ÉÔϢ³Åý°ìÂΡ¡µÈºåδÀµ¡ÜU¸¦µæ¼¼
SDÊ̺ý7¡ÃÆüËܤΥ³¥ß¥å¥Ë¥Æ¥£: ¤½¤Î1 ¥³¥ß¥å¥Ë¥Æ¥£¤È¤½¤Î·ë¹ç
SDÊ̺ý25¡Ã¶á̤Íè·¿½¸¹ç½»Âð NEXT21: ´Ä¶¶¦À¸¤ò¤á¤¶¤·¤¿¼Â¸³¤Î¤¹¤Ù¤Æ
SDÊ̺ý14¡Ã¹âÁØ¥Ó¥ë¤Î¹½À®: Âè°ì´«¶È¶ä¹ÔËÜŹ¤ÎµÏ¿¡¿°²¸¶µÁ¿®
NIKKEN SEKKEI: Building Modern Japan 1900-1990¡¿Æü·úÀ߷׺îÉʽ¸¡Ê¥Ï¡¼¥É¥«¥Ð¡¼ÈÇ¡Ë
·úÃÛ¡¦ÅԻԷײè¤Î¤¿¤á¤Î¥â¥Ç¥ëʬÀϤμêË¡
½»Âð¤Î¤±àµ»½Ñ¡¡¥¬¥ì¥Ã¥È¡¦¥¨¥¯¥Ü
¾ì¤Î¥Ç¥¶¥¤¥ó¡¡ô¢Ê¸É§¡ß»°Ã«Å°
¥×¥í¥»¥¹¥¢¡¼¥¥Æ¥¯¥Á¥å¥¢25¡ÃÆüËܤÎÉ÷ÅڤȷúÃÛ¶õ´Ö
¥×¥í¥»¥¹¥¢¡¼¥¥Æ¥¯¥Á¥å¥¢16¡ÃÆî²¤¤Î¹¾ì
¥×¥í¥»¥¹¥¢¡¼¥¥Æ¥¯¥Á¥å¥¢24¡Ã·úÃۤȿå¶õ´Ö
¥×¥í¥»¥¹¥¢¡¼¥¥Æ¥¯¥Á¥å¥¢98¡Ã¼«Á³¥¨¥Í¥ë¥®¡¼¤È·úÃÛ
¼«Á³¥¨¥Í¥ë¥®¡¼ÍøÍѤΤ¿¤á¤Î¥Ñ¥Ã¥·¥Ö·úÃÛÀß·×¼êË¡»öŵ ¿·ÄûÈÇ
·úÃÛʸ²½1999ǯ7·î¹æ¡Ã»³ËÜÍý¸² ºë¶Ì¸©Î©Âç³Ø
CONCRETE DESIGN ·úÃ۲Ȥˤè¤ë¥³¥ó¥¯¥ê¡¼¥È·úÃۥǥ¶¥¤¥ó
Architecture Materials: Concrete ·úÃ۲Ȥˤè¤ë¥³¥ó¥¯¥ê¡¼¥È·úÃÛ
Èþ½Ñ´Û¡¦Çîʪ´Û¡ÊS.D.S ¥¹¥Ú¡¼¥¹¡¦¥Ç¥¶¥¤¥ó¥·¥ê¡¼¥º3¡Ë
Âѿ̲þ½¤¤Îµ»½Ñ: »Ø¿Ë¤È¥Ç¥£¥Æ¡¼¥ë¥·¡¼¥È ²þÄû2ÈÇ
¸¶¿§ ÌÚºàÂç»öŵ185¼ï
¶õ´Ö¤Î±é½Ð Áë¡Ý¥Ç¥¶¥¤¥ó¥ô¥©¥¥ã¥Ö¥é¥ê¡¼¤È¤·¤Æ¤ÎŸ³«¡¿ÊݺäÍÛ°ìϺ
ALC·úÃۤΥǥ£¥Æ¡¼¥ë½¸
ALC·úÃÛÀ߷פΥݥ¤¥ó¥È
ºÇ¤â¤¯¤ï¤·¤¤²°º¬¡¦¾®²°ÁÈ¤Î¿Þ´Õ ²þÄûÈÇ¡ãDVDÉÕ¡ä
ËÉ¿å»Ü¹©¥Þ¥Ë¥å¥¢¥ë ½»ÂðÍÑËÉ¿å»Ü¹©µ»½Ñ 2021
¥Ë¥å¡¼¥¸¡¼¥é¥ó¥É¤Ë¸«¤ë »Ò¤É¤â¤ÎÍ·¤Ó¤ÈÍ·¤Ó¾ì
³Ø¹»·úÃÛ³¤³°»öÎ㽸
³Ø¹»·úÃÛ¤ÎÊѳ×: ³«¤«¤ì¤¿³Ø¹»¤ÎÀ߷ס¦·×²è
Ãϰ襷¥§¥¢·¿Êݰé»ÜÀß¡Ã[¿·]·úÃÛÀß·×»ñÎÁ04
¥¢¥ë¥Ï¥ó¥Ö¥é: ¥¤¥¹¥é¥àʸ²½à¥½Ï´ü¡¦14À¤µª¤ÎÀÖ¤¤¾ë¡ÊSD¥°¥é¥Õ¥£¥Ã¥¯¥·¥ê¡¼¥º¡Ë
¥Ñ¥ë¥Æ¥Î¥ó: ¸ÅÂ奮¥ê¥·¥¢¤Î¿ÀÅ¡ÊSD¥°¥é¥Õ¥£¥Ã¥¯¥·¥ê¡¼¥º¡Ë
¥¬¥¦¥Ç¥£: ¤·Á¤Î²÷³Ú¤ò¤¦¤¿¤¤¤¢¤²¤¿¸¸ÁۤηúÃ۲ȡÊSD¥°¥é¥Õ¥£¥Ã¥¯¥·¥ê¡¼¥º¡Ë
·úÃÛʸ²½1975ǯ6·î¹æ/1977ǯ5·î¹æ¡Ã¥¨¥³¥í¥¸¥«¥ë¡¦¥×¥é¥ó¥Ë¥ó¥° I+II¡Ê2¹æÂ·¡Ë
·úÃÛʸ²½1979ǯ9·î¹æ¡ÃÂç³Ø¥»¥ß¥Ê¡¼¡¦¥Ï¥¦¥¹'65¡Ý'78¡¡µÈºåδÀµ¡¿U¸¦µæ¼¼
·úÃÛʸ²½1976ǯ12·î¹æ¡ÃPAOLO SOLERI, ¤â¤¦¤Ò¤È¤Ä¤ÎÅÔ»Ô ¥Ñ¥ª¥í¡¦¥½¥ì¥ê
Allied Works Architecture: Brad Cloepfil - Occupation¡¿¥¢¥é¥¤¥É¡¦¥ï¡¼¥¯¥¹¡¦¥¢¡¼¥¥Æ¥¯¥Á¥ã¡¼ºîÉʽ¸
À¸³èºâÀ¸ÂÖ³Ø: ¸½Âå²ÈÄí¤Î¥â¥Î¤È¤Ò¤È
³°Êɹ½Ë¡¥Á¥§¥Ã¥¯¥ê¥¹¥È
¥Õ¥¡¥µ¡¼¥É¤ò¤Ä¤¯¤ë: PCa¥³¥ó¥¯¥ê¡¼¥Èµ»½Ñ¤ÈÊÑÁ«
¿·¡¦¥Õ¥¡¥µ¡¼¥É¥·¥¹¥Æ¥à: Ãæ¹âÁØ¥Ó¥ë¤Î¥Õ¥¡¥µ¡¼¥É
¤Þ¤É ÆüËܤΤ«¤¿¤Á¡¿Èľ˻Ҷ¨²ñ
TOYO ITO 1971-1986¡¡°ËÅìËͺ¤ÎÄ©Àï
El Croquis 155¡ÃSANAA / Kazuyo Sejima+Ryue Nishizawa 2008-2011
El Croquis 139¡ÃSANAA / Kazuyo Sejima+Ryue Nishizawa 2004-2008
RASSEGNA 35¡ÃModifications in dwelling¡¿½»¤Þ¤¤¤ÎÊÑÍÆ
RASSEGNA 33¡ÃAldo Andreani 1909/1945¡¿¥¢¥ë¥É¡¦¥¢¥ó¥É¥ì¥¢¥Ë 1909-1945
RASSEGNA 32¡ÃMaquette¡¿ÌÏ·¿
Industriekultur: Peter Behrens und die AEG 1907-1914¡¿»º¶Èʸ²½: ¥Ô¡¼¥¿¡¼¡¦¥Ù¡¼¥ì¥ó¥¹¤ÈAEG
Architecture as Theme¡¡Oswald Mathias Ungers¡¿¥ª¥º¥ï¥ë¥É¡¦¥Þ¥Æ¥£¥¢¥¹¡¦¥¦¥ó¥¬¡¼¥¹
¥¯¥¤¥Ã¥¯¥Ñ¡¼¥¹: ̾·úÃۤdzؤÖ®ÉÁ¤¥Æ¥¯¥Ë¥Ã¥¯
Êâ¼Ö¶¦Â¸Æ»Ï©¤ÎÍýǰ¤È¼ÂÁ©
¥¢¡¼¥¹¥ï¡¼¥¯¤ÎÃÏÊ¿: ´Ä¶·Ý½Ñ¤«¤éÅÔ»Ô¶õ´Ö¤Þ¤Ç
ÅÉÁõͼÂÍѥƥ¯¥Ë¥Ã¥¯ÆÉËÜ
½¸À®ºà·úÃÛʪÀ߷פμê°ú
·úÃÛºàÎÁ³èÍÑ»öŵ
¥é¥ó¥É¥¹¥±¡¼¥×¥Ç¥¶¥¤¥ó 2009ǯ2·î¹æ No.64¡Ã¡Ö·Ê´Ñ¡×¤È¡Ö¤Þ¤Á¤Å¤¯¤ê¡×: ¡Ö¿å¤ÎÅÔ¡×Âçºå¤ÎºÆÀ¸
¥é¥ó¥É¥¹¥±¡¼¥×¥Ç¥¶¥¤¥ó 2008ǯ12·î¹æ No.63¡ÃÀ¸³è¤ÈÄí: ¼«Á³¤ò¼è¤ê¹þ¤à¥é¥ó¥É¥¹¥±¡¼¥×¥Ç¥¶¥¤¥ó¡¡
¥é¥ó¥É¥¹¥±¡¼¥×¥Ç¥¶¥¤¥ó 2008ǯ10·î¹æ No.62¡ÃË̳¤Æ»: ¥é¥ó¥É¥¹¥±¡¼¥×¤¬¤Ä¤¯¤ë¥¨¥Í¥ë¥®¡¼
¥é¥ó¥É¥¹¥±¡¼¥×¥Ç¥¶¥¤¥ó 2008ǯ8·î¹æ No.61¡Ã¡ÖÎв½¡×¤Î²ÁÃÍ ´ë¶È¤¬¼¨¤¹¥é¥ó¥É¥¹¥±¡¼¥×¤Î²ÄǽÀ
¥é¥ó¥É¥¹¥±¡¼¥×¥Ç¥¶¥¤¥ó 2008ǯ6·î¹æ No.60¡Ã¸÷¡¢É÷¡¢¤½¤·¤ÆÎФÎÊèÃϸø±à
¥é¥ó¥É¥¹¥±¡¼¥×¥Ç¥¶¥¤¥ó 2007ǯ10·î¹æ No.56¡Ã»ä¤ò²òÊü¤¹¤ë¥¥ã¥ó¥Ñ¥¹¥¹¥±¡¼¥×
¥é¥ó¥É¥¹¥±¡¼¥×¥Ç¥¶¥¤¥ó 2007ǯ8·î¹æ No.55¡Ã¶õ¤Î²¼¤Ç³Ú¤·¤àÅìµþ¥ß¥Ã¥É¥¿¥¦¥ó
¥é¥ó¥É¥¹¥±¡¼¥×¥Ç¥¶¥¤¥ó 2007ǯ4·î¹æ No.53¡Ã¾¦¶È»ÜÀߤΥª¡¼¥×¥ó¥¹¥Ú¡¼¥¹¡Ö¥é¥¾¡¼¥ÊÀîºê¥×¥é¥¶¡×¡õ¡Ö¥¢¡¼¥Ð¥ó¥É¥Ã¥¯¤é¤é¤Ý¡¼¤È˽§¡×¡¿¥¢¥á¥ê¥«¤Î¥é¥ó¥É¥¹¥±¡¼¥×
¥é¥ó¥É¥¹¥±¡¼¥×¥Ç¥¶¥¤¥ó 2006ǯ12·î¹æ No.51¡ÃÅì±À¤«¤é¸«¤¨¤ë̤Íè¤Î³¹¡¿³«±à100¼þǯ¤Îµ°Àסֿ·½É¸æ±ñ¡×
¥é¥ó¥É¥¹¥±¡¼¥×¥Ç¥¶¥¤¥ó 2006ǯ10·î¹æ No.50¡ÃË̲¤¤Î¥é¥ó¥É¥¹¥±¡¼¥×¥Ç¥¶¥¤¥ó
¥é¥ó¥É¥¹¥±¡¼¥×¥Ç¥¶¥¤¥ó 2005ǯ6·î¹æ No.47¡ÃµþÅÔ·ÞÉдۤκîÄí¡¿»ä¤¬¸ø±à¤Ë¹Ô¤¯Íýͳ
Å·°æÂçÁ´¡ÊNAÁª½ñ¡Ë
¿á¤È´¤±ÂçÁ´¡ÊNAÁª½ñ¡Ë
²ò·è¡ª¡Ö´Ä¶·úÃۡסÊNAÁª½ñ¡Ë
°ÂÆ£Ãéͺ·úÃÛŸ: ¿·¤¿¤Ê¤ëÃÏÊ¿¤Ë¸þ¤±¤Æ¡Ý¿Í´Ö¤È¼«Á³¤È·úÃÛ ¸ø¼°¥«¥¿¥í¥°
SD8307¡ÊSD1983ǯ7·î¹æ¡Ë¡Ã¥«¡¼¥ë¡¦¥Õ¥ê¡¼¥É¥ê¥Ò¡¦¥·¥ó¥±¥ë¡¿¥é¡¦¥ô¥£¥ì¥Ã¥È¸ø±à¹ñºÝ¥³¥ó¥Ú¥Æ¥£¥·¥ç¥ó
KJ 2008ǯ10·î¹æ¡Ã¥·¡¼¥é¥«¥ó¥¹K&H
Reiulf Ramstad Architects: Selected Works¡¿¥ì¥¤¥¦¥ë¥Õ¡¦¥é¥à¥¹¥¿¥Ã¥É¡¦¥¢¡¼¥¥Æ¥¯¥ÄºîÉʽ¸
James Stirling/Michael Wilford & Associates: Building & Projects 1975-1992¡¿¥¸¥§¡¼¥à¥º¡¦¥¹¥¿¡¼¥ê¥ó¥°ºîÉʽ¸
¥ê¥«¥ë¥É¡¦¥ì¥´¥ì¥Ã¥¿¡¡GA DOCUMENT EXTRA 14
¥ê¥Á¥ã¡¼¥É¡¦¥Þ¥¤¥ä¡¼¡¡GA DOCUMENT EXTRA 08
¥¸¥ã¥ó¡¦¥Ì¡¼¥ô¥§¥ë¡¡GA DOCUMENT EXTRA 07
¥¹¥Æ¥£¡¼¥ô¥ó¡¦¥Û¡¼¥ë¡¡GA DOCUMENT EXTRA 06
¥¶¥Ï¡¦¥Ï¥Ç¥£¥É¡¡GA DOCUMENT EXTRA 03
TADAO ANDO RECENT PROJECT 1-3¡¿°ÂÆ£Ãéͺ ºÇ¿·¥×¥í¥¸¥§¥¯¥È3¹æ¥»¥Ã¥È
¹õÀ¾ÏÃøºî½¸ Á´18´¬Â·
¿··úÃÛ2020ǯ9·îÊ̺ý¡Ã»°É©ÃϽêÀß·×Á϶È130¼þǯµÇ° ÁÛ¤¦ÎÏ Ì¤Íè¤Ø¤Ä¤Ê¤°
Manuelle gautrand architect: Neo Architecture¡¿¥Þ¥Ë¥å¥¨¥ë¡¦¥´¡¼¥È¥é¥óºîÉʽ¸
Jose Luis Sert: Architecture, City Planning, Urban Design¡¿¥Û¥»¡¦¥ë¥¤¡¦¥»¥ë¥ÈºîÉʽ¸
Christian de Portzamparc: les dessins et les jours¡¿¥¯¥ê¥¹¥Á¥ã¥ó¡¦¥É¡¦¥Ý¥ë¥¶¥ó¥Ñ¥ë¥¯: ·úÃۤϥǥ嵥󤫤é¤Ï¤¸¤Þ¤ë
·úÃÛ·ÁÂ֤ι½Â¤¡Ý¥Ø¥ó¥ê¡¼¡¦£È¡¦¥ê¥Á¥ã¡¼¥É¥½¥ó¤È¥¢¥á¥ê¥«¶áÂå·úÃÛ¡¿¹á»³ÔèÉ×
¡ÖÅã¤Î²È¡×Çò½ñ: 6Äڤ˽»¤ó¤À20ǯ Åì¹§¸÷¡¦Àá»Ò¡¦Íø·Ã / ½»¤Þ¤¤³ØÂç·Ï010
Tadao Ando Sketches¡¿°ÂÆ£Ãéͺ¤Î¥¹¥±¥Ã¥Á
The Architectural Sketches of Henning Larsen¡¿¥Ø¥Ë¥ó¥°¡¦¥é¡¼¥»¥ó¤Î·úÃÛ¥¹¥±¥Ã¥Á½¸
ÆüËܤÎÅÁÅýŪÅÔ»Ô¶õ´Ö: ¥Ç¥¶¥¤¥ó¡¦¥µ¡¼¥Ù¥¤¤ÎµÏ¿¡¡µÜÏÆÃÉ¡¦Ë¡À¯Âç³ØµÜÏÆ¥¼¥ß¥Ê¡¼¥ë
¥¬¥¦¥Ç¥£ ¤«¤¿¤Á¤Îõµæ
TADAO ANDO¡ÃNAOSHIMA¡¿°ÂÆ£Ãéͺ¡ÖľÅç¤Î·úÃÛºîÉʡסÊÃø¼Ô¥µ¥¤¥ó¡¦¥É¥í¡¼¥¤¥ó¥°ÉÕ¡Ë
TADAO ANDO¡ÃINTERNATIONAL PACIFIC UNIVERSITY¡¿°ÂÆ£Ãéͺ¡ÖIPU¡¦´ÄÂÀÊ¿ÍÎÂç³Ø¡×
TADAO ANDO¡ÃHYOGO¡¿°ÂÆ£Ãéͺ¡Öʼ¸Ë¸©Î©Èþ½Ñ´Û¡¦Ê¼¸Ë¸©²¼¤Î·úÃÛºîÉÊ¡×
Âç¹¾¹¨¡áÎò»Ë°Õ¾¢ÏÀ¡¡Ë¡À¯Âç³ØÂç¹¾¹¨¶µ¼øÂàǤµÇ°ÏÀ½¸¡ÊÆÃÊÌÁõÃú¡Ë
ÌÚ¤²°º¬²ö¤ê¾ÜºÙ ºîÎã103ÅÀ¡¡½»Âð·úÃÛÊ̺ý7
̱²ÈºÆÀ¸ »öÎ㽸1 ½»Âð·úÃÛÊ̺ý44
JA6¡Ã¼ã¼ê·úÃ۲ȤΥ¤¥Ç¥£¥ª¥à
a+u1989ǯ7·î¹æ¡Ã¥³¡¼¥×¡¦¥Ò¥ó¥á¥ë¥Ö¥é¥¦¤ÎºîÉÊ 1968-1989ǯ
ÆüËÜÄí±à¤ÎÆÃ¼Á Íͼ°¡¦¶õ´Ö¡¦·Ê´Ñ¡¡¿Ê»Î¸Þ½½È¬
Behnisch, Behnisch & Partner: Buildings and Designs¡¡¥Ù¡¼¥Ë¥Ã¥·¥å¡õ¥Ñ¡¼¥È¥Ê¡¼¥ººîÉʽ¸
a+u1994ǯ12·î¹æ¡Ã¥®¥å¥ó¥¿¡¼¡¦¥Ù¡¼¥Ë¥Ã¥·¥å ¥É¥¤¥ÄϢˮµÄ²ñµÄ»öƲ
a+u1990ǯ5·î¹æ¡Ã¥®¥å¥ó¥¿¡¼¡¦¥Ù¡¼¥Ë¥Ã¥·¥å
Craig Ellwood: 15Houses¡¡¥¯¥ì¥¤¥°¡¦¥¨¥ë¥¦¥Ã¥É15¤Î½»Âð¡Ê2G Libros Books¡Ë
Building: 3000 Years of Design, Engineering and Construction¡¡Bill Addis
Michael Graves: Images of a Grand Tour¡¡¥Þ¥¤¥±¥ë¡¦¥°¥ì¥¤¥ô¥¹ ¥°¥é¥ó¥É¥Ä¥¢¡¼
¿§ºÌÏÀ ´°ÌõÈǡʥ²¡¼¥ÆÀ¸ÃÂ250¼þǯµÇ°½ÐÈÇ¡Ë
TOYODA HIROYUKI 1946-2000¡¡ËÅÄÇîÇ·ºîÉʽ¸
¸ÂÄêÈÇ ±Àȼµï¡¡Çò°æÚð°ì¡Ê¸ÂÄêÈÇ500Éô¡Ë
²ûð¼´Û: Çò°æÚð°ì¤Î·úÃÛ
Çò°æÚð°ì Àº¿À¤È¶õ´Ö
¿åÅÔ¥¢¥à¥¹¥Æ¥ë¥À¥à: ¼õ¤±·Ñ¤¬¤ì¤ë¥Ö¥ë¡¼¥´¡¼¥ë¥É¤ÎÀº¿À¡¡´ä°æÅí»Ò
¥¹¥é¥à¤È¥¦¥µ¥®¾®²°¡¡ÉÛÌ»Ê
ë¸ýµÈÀ¸·úÃÛºîÉʽ¸
¶õÃæÄí±à: Ï¢·ë͹âÁØ·úÃÛ1993 [¿·ÇßÅÄ¥·¥Æ¥£]¤ÎµÏ¿¡Ê·úÃÛʸ²½Ê̺ý¡Ë
TOKYO 100 Apartments: Åìµþ·÷¤Ë100Åï¤ÎÄÂÂß½¸¹ç½»Âð¤òÀ߷פ¹¤ë¡¡Ã«ÆâÅľÏÉ×
ĹëÀî°ï»Ò¡¦¥Ç¥¶¥¤¥ó¥¹¥¿¥¸¥ª 2004
·úÃÛʸ²½1997ǯ11·î¹æ¡ÃÆâÆ£×¢: ¥µ¥¤¥ì¥ó¥È¡¦¥¢¡¼¥¥Æ¥¯¥Á¥å¥¢
Àß·×ÎϤò°é¤Æ¤ë·úÃ۷ײè100Áª
a+u2003ǯ4·î¹æ¡Ã¥É¥ß¥Ë¥¯¡¦¥Ú¥í¡¼¡¿Tissus
¿··úÃÛ2022ǯ1·îÊ̺ý¡ÃThe Okura Tokyo LEGACY: Îò»Ë¤äÅԻԤȶ¦¤ËÊâ¤à·úÃۤΤ¢¤êÊý
¿··úÃÛ2005ǯ5·îÎ×»þÁý´©¡Ã»ý³²ÄǽÀ¤Î·úÃÛ: ÃÝÃæ¹©Ì³Å¹ÅìµþËÜŹ¿·¼Ò²°
¥ô¥£¥Ë¥ç¡¼¥é ·úÃۤθޤĤΥª¡¼¥À¡¼¡¿G.B.¥ô¥£¥Ë¥ç¡¼¥é¡¦Ä¹Èø½ÅÉð
a+u1979ǯ6·îÎ×»þÁý´©¡Ã¥Õ¥£¥ê¥Ã¥×¡¦¥¸¥ç¥ó¥½¥óºîÉʽ¸
ÌÚ¤Î̱²È ¥è¡¼¥í¥Ã¥Ñ¡¡ÆóÀÉ×
KEN YOKOGAWA: landscape and houses¡¿²£²Ï·ò½»ÂðºîÉʽ¸
ºäÌФηúÃÛ ºàÎÁ¡¦¹½Â¤¡¦¶õ´Ö¤Ø¡Ê¥µ¥¤¥óÆþ¡Ë
¡Ö¼¯ÌĴۤηúÃÛ²È ¥¸¥ç¥µ¥¤¥¢¡¦¥³¥ó¥É¥ëŸ¡×¿ÞÏ¿¡ÊÁýÊä²þÄûÈÇ¡Ë
¼Ä¸¶°ìÃË ½»Âð¿ÞÌÌ
ÅÔ»Ô½»ÂðÊ̺ýNo.1¡Ã¿Í´ÖÅÔ»Ô¡¿¥¯¥ê¥¹¥È¥Õ¥¡¡¼¡¦¥¢¥ì¥°¥¶¥ó¥À¡¼
ÅÔ»Ô½»Âð7908¡Ê1979ǯ8·î¹æ¡Ë¡Ã¹Ôư¤¹¤ë·úÃÛ²È ¥é¥ë¥Õ¡¦¥¢¡¼¥¹¥¥ó¤Î¥Ï¥¦¥¸¥ó¥°
¥ë¥¤¥¹¡¦¥«¡¼¥óÏÀ: ·úÃۤμ¸¤ÈÊýË¡¡¡¹©Æ£¹ñͺ
VALERIO OLGIATI¡¿¥ô¥¡¥ì¥ê¥ª¡¦¥ª¥ë¥¸¥¢¥Æ¥£ºîÉʽ¸
2G No.64¡ÃBak Gordon¡¿¥ê¥«¥ë¥É¡¦¥Ð¥Ã¥¯¡¦¥´¥ë¥É¥ó
2G No.51¡ÃMGM: Morales Giles Mariscal¡¿¥â¥é¥ì¥¹¡¦¥¬¥¤¥ë¥¹¡¦¥Þ¥ê¥¹¥«¥ë
2G No.20¡ÃPortuguese architecture: a new generation¡¿¥Ý¥ë¥È¥¬¥ë¤Î¿·À¤Âå·úÃ۲Ȥ¿¤Á
¥×¥í¥»¥¹¥¢¡¼¥¥Æ¥¯¥Á¥å¥¢118¡Ã¥Ô¡¼¥¿¡¼¡¦¥¦¥©¡¼¥«¡¼¡¦¥¦¥£¥ê¥¢¥à¡¦¥¸¥ç¥ó¥½¥ó&¥Ñ¡¼¥È¥Ê¡¼¥º: ¥¢¡¼¥È¤È¼«Á³¤ÎÄ´ÏÂ
Detail in Contemporary Landscape Architecture¡¿¸½Âå¥é¥ó¥É¥¹¥±¡¼¥×¥¢¡¼¥¥Æ¥¯¥Á¥å¥¢¤Î¥Ç¥£¥Æ¡¼¥ë
a+u1989ǯ3·îÎ×»þÁý´©¹æ¡Ã¥ì¥ó¥¾¡¦¥Ô¥¢¥Î ¥Ó¥ë¥Ç¥£¥ó¥°¡¦¥ï¡¼¥¯¥·¥ç¥Ã¥× 1964-1988
La Casa Latinoamericana Moderna¡¡¸½Âå¥é¥Æ¥ó¥¢¥á¥ê¥«¤Î½»Âð20Âê
El Croquis 86¡ÃMVRDV 1991-1997¡Ê2nd edition¡Ë
El Croquis 142¡ÃArchitectural Practices¡ÝSpanish Arquitecture
SD¥ì¥Ó¥å¡¼ 18ºý¥»¥Ã¥È¡Ê1987/1988/1991/1993-2007¡Ë
SD9501(1995ǯ1·î¹æ¡Ë¡Ã»³ËÜÍý¸²
SD8909¡Ê1989ǯ9·î¹æ¡Ë¡Ã°ÂÆ£Ãéͺ 1981-1989
GA75 ¥ß¡¼¥¹¡¦¥Õ¥¡¥ó¡¦¥Ç¥ë¡¦¥í¡¼¥¨/¥Ð¥ë¥»¥í¥Ê¡¦¥Ñ¥ô¥£¥ê¥ª¥ó, ¥È¥¥¡¼¥²¥ó¥È¥Ï¥Ã¥ÈÅ¡
David Adjaye Houses¡¡¥Ç¥¤¥ô¥£¥Ã¥É¡¦¥¢¥¸¥ã¥¤½»ÂðºîÉʽ¸
David Adjaye: Making Public Buildings¡¡¥Ç¥¤¥ô¥£¥Ã¥É¡¦¥¢¥¸¥ã¥¤ºîÉʽ¸
a+u2001ǯ1·î¹æ¡ÃOMA ¥æ¥Ë¥Ð¡¼¥µ¥ë¡¦¥Ó¥ë¥Ç¥£¥ó¥°
a+u2006ǯ11·î¹æ¡Ã¥®¥´¥ó¡¿¥´¥ä¡¼
a+u2004ǯ3·î¹æ¡Ã¥Ç¥¤¥ô¥£¥Ã¥É¡¦¥Á¥Ã¥Ñ¡¼¥Õ¥£¡¼¥ë¥É
a+u2006ǯ7·î¹æ¡ÃÆîÊÆ¥Á¥ê¤Î·úÃÛ
a+u2003ǯ5·î¹æ¡Ã¥Ù¥ë¥®¡¼¤Î·úÃÛI/½»Âð
ÁáÀîˮɧ ¸½Âå¤Î·úÃÛ²È
a+u2006ǯ8·îÎ×»þÁý´©¡Ã¥Ø¥ë¥Ä¥©¡¼¥°¡¦¥¢¥ó¥É¡¦¥É¡¦¥à¥í¥ó 2002-2006
¹ñΩ¹ñ²ñ¿Þ½ñ´Û´ØÀ¾´Û [²¾¾Î] ·úÃÛÀß·×¶¥µ»±þÊçºîÉʽ¸
Great Vision for the Future: World Expo 2010 Shanghai/¾å³¤¹ñºÝÇîÍ÷²ñ¥Ñ¥ô¥£¥ê¥ª¥ó¡¦¥³¥ó¥Ú¥Æ¥£¥·¥ç¥óºîÉʽ¸
ON DESIGN 'PRINT'¡¡¥ª¥ó¥Ç¥¶¥¤¥ó¥Ñ¡¼¥È¥Ê¡¼¥º
ÈôÌö¤¹¤ë¹½Â¤¥Ç¥¶¥¤¥ó¡¡ÅÏÊÕË®É×
JA25¡Ã²¬ÅÄ¿·°ì
JA45¡Ã¥×¥í¥¸¥§¥¯¥È¤È¤¤¤¦¤³¤È
·úÃÛʸ²½1996ǯ7/9/12·î¹æ¡Ã¥¸¥ã¥ó¡¦¥Ì¡¼¥ô¥§¥ë100¥×¥í¥¸¥§¥¯¥È Á´3¹æÂ·
·úÃÛʸ²½2000ǯ3·î¹æ¡ÃÃݸ¶µÁÆó II ¿¦¿Í¤Îµ»¡¿·úÃÛ¤ÎÎÏ
·úÃÛʸ²½2001ǯ10·î¹æ/2003ǯ12·î¹æ¡Ã20À¤µª·úÃÛ¥â¥Ç¥ë¡¦¥«¥¿¥í¥° 2¹æÂ·
·úÃÛʸ²½2001ǯ2·î¹æ¡Ã¥ë¡¦¥³¥ë¥Ó¥å¥¸¥¨É´²Ê
¿··úÃÛ1989ǯ6·î¹æ¡Ã¹õÀ¾Ï¡Ö¹Åç»Ô¸½ÂåÈþ½Ñ´Û¡×¡¿Âç¹¾¹¨¡Ö»°·ÌµÇ°´Û¡×¡ÖÂçÄÍʸ¸Ë¡×¡¿»³ËÜÍý¸²¡Ö·úÃÛÈó±ÇÁüÏÀ¡×
¿··úÃÛ1990ǯ4·î¹æ¡ÃÏ»³Ñµ´¾æ¡ÖÅìµþÉðÆ»´Û¡×¡¿°ëºê¿·Èþ½Ñ´Û¥×¥í¥¸¥§¥¯¥È3Âê¡Ö¥Ö¥ë¥Ã¥¯¥ê¥óÈþ½Ñ´Û¡×¡Ö¥Õ¥ì¥¸¥å¥¹»ÔÈþ½Ñ´Û¡×¡Ö°ËƦ¸½ÂåÈþ½Ñ´Û¡×
¿··úÃÛ1990ǯ6·î¹æ¡Ãô¢Ê¸É§¡ÖÅìµþÂΰé´Û¡×¡¿ÅÏÊÕÀ¿¡ÖÀÄ»³À½¿ÞÀìÌç³Ø¹»1¹æ´Û¡×¡¿¹á»³¼÷ÉסÖÅìµþYWCA²ñ´Û¡×¡¿µÆÃÝÀ¶·±¡Ö¥¢¥ó¥Õ¥£¥ËÀÖºä¡×
¿··úÃÛ1991ǯ10·î¹æ¡ÃÁáÀîˮɧ¡Ö·§ËܻԱĿ·ÃÏÃÄÃÏA¡×¡¿Æü·úÀ߷ס֥ѥ·¥Õ¥£¥³²£É͡ס¿µÆÃÝÀ¶·±¡Ö³¤Ï·Ì¾¥µ¡¼¥Ó¥¹¥¨¥ê¥¢µÙ·Æ»ÜÀß¡×
¿··úÃÛ1993ǯ1·î¹æ¡ÃÌøÂô¹§É§¡Ö·´»³»ÔΩÈþ½Ñ´Û¡×¡¿Ã°²¼·ò»°¡Ö¹ñºÝÏ¢¹çÂç³ØËÜÉô»ÜÀß¡×
¿··úÃÛ1994ǯ3·î¹æ¡Ãô¢Ê¸É§¡ÖYBG·Ý½Ñ¥»¥ó¥¿¡¼¡×¡¿Éٱʾù¡Ö·§ËܻԱĿ·ÃÏÃÄÃÏC¡×¡¿ÎëÌÚλÆó¡Öʪ¼Á»î¹Ô36¡×
Ï·¿ÍÊÝ·òÊ¡»ã»ÜÀßÀ߷פΤ¢¤êÊý¸¦µæÊó¹ð½ñ¡ÊÊ̺ý ÆÃÊÌÍܸîÏ·¿Í¥Û¡¼¥à·úÃÛ¥×¥é¥ó»öÎ㽸ÉÕ¤¡Ë
·úÃÛʸ²½1975ǯ5·î¹æ¡Ã¶õ´Ö¤ÎʬÀá ÃÓÊÕÍÛ¸¦µæ¼¼'75
·úÃÛʸ²½1975ǯ12·î¹æ¡ÃÀ¤³¦¤Î¼ã¤¤·úÃ۲ȤϤ¤¤Þ²¿¤ò¹Í¤¨¤Æ¤¤¤ë¤« IV
·úÃÛʸ²½1977ǯ2·î¹æ¡ÃÆÃ½¸ ÌÚ¤½»Âð¤ÈÄãÁؽ¸¹ç½»Âð¡¿°ëºê¿·: ¸½Âå·úÃÛ¡Ç76-II¡¿°ÂÆ£Ãéͺ: ¸Ä¤«¤é½¸¹ç¤Ø ½»µÈ¤ÎĹ²°
·úÃÛʸ²½1990ǯ3·î¹æ¡Ã¸¶¹»Ê+¥¢¥È¥ê¥¨¡¦¥Õ¥¡¥¤·úÃÛ¸¦µæ½ê: ÅԻԤΥ⡼¥À¥ë¡¦¥¤¥ó¥À¥¯¥¿¡¼¡¿ÅÏÊÕËÏÂ: ·úÃÛ¤ÏÁÛÁü¤Î¤«¤Ê¤¿¤Ë
Smith-Miller+Hawkinson¡¿¥¹¥ß¥¹¡¦¥ß¥é¡¼¡Ü¥Û¡¼¥¥ó¥½¥óºîÉʽ¸¡ÊCurrent Architecture Catalogues¡Ë
Heikkinen & Komonen¡¿¥Ø¥¤¥Ã¥¥Í¥ó¡õ¥³¥â¥Í¥óºîÉʽ¸¡ÊCurrent Architecture Catalogues¡Ë
Carlos Jimenez¡¿¥«¥ë¥í¥¹¡¦¥Ò¥á¥Í¥¹ºîÉʽ¸¡ÊCurrent Architecture Catalogues¡Ë
Harry Wolf¡¿¥Ï¥ê¡¼¡¦¥¦¥ë¥ÕºîÉʽ¸¡ÊCurrent Architecture Catalogues¡Ë
The Architecture of the Yale Center for British Art¡¿¥ë¥¤¥¹¡¦¥«¡¼¥ó¡Ö¥¤¥§¡¼¥ëÂç³Ø±Ñ¹ñÈþ½Ñ¸¦µæ¥»¥ó¥¿¡¼¡×
¿··úÃÛ1986ǯ4·î¹æ¡ÃÆ£Âô»Ô¡Ö¡Ê²¾¾Î¡Ë¾ÅÆîÂæÊ¸²½¥»¥ó¥¿¡¼¡×¥×¥í¥Ý¡¼¥¶¥ë¡¦¥Ç¥¶¥¤¥ó¡¦¥³¥ó¥Ú¥Æ¥£¥·¥ç¥óÆþÁªÈ¯É½
¿··úÃÛ1967ǯ5·î¹æ¡ÃÂç¹âÀµ¿Í¡ÖÀéÍÕʸ²½²ñ´Û¡×¡Ö¿·µïÉÍÇÀ¶È¶¨Æ±Áȹç²ñ´Û¡×¡¿¥¸¥ç¡¼¥¸¡¦¥Ê¥«¥·¥Þ¡Ö·Ë¥«¥È¥ê¥Ã¥¯¶µ²ñ¡×
DN¥¿¥ï¡¼21¡ÊÂè°ì¡¦ÇÀÃæ¥Ó¥ë¡ËÎò»ËŪ·úÃÛʪ¤ÎÊݸ¤ÈºÆÀ¸¡¿À¶¿å·úÀß
¿ô´ó²°·úÃÛ½¸À® 8´¬¥»¥Ã¥È
Pioneering British "High-Tech"¡ÊArchitecture 3s¡Ë±Ñ¹ñ¥Ï¥¤¥Æ¥¯·úÃÛ¤ÎÀè¶îŪ¸ºß
ÂçÀµ³¤¾åËܼҥӥ롡Æü·úÀß·×
·úÃÛʸ²½1988ǯ12·î¹æ¡Ã¥·¡¼¥é¥«¥ó¥¹ Æ©²á¤¹¤ëÅÔ»Ô¤ÎÉ÷·Ê
a+u1987ǯ5·îÎ×»þÁý´©¹æ¡ÃIBA: ¥Ù¥ë¥ê¥ó¹ñºÝ·úÃÛŸ1987
a+u2015ǯ3·î¹æ¡Ã¥«¥ë¥½¡¦¥»¥ó¥È¡¦¥¸¥ç¥ó¡¦¥¢¡¼¥¥Æ¥¯¥Ä
¥Ç¥£¥Æ¡¼¥ë28/1971ǯ½Õµ¨¹æ¡ÃÆÃ½¸ ¹âÁØ¥Ó¥ë¤Î³°ÊÉ
°¦ÃηݽÑʸ²½¥»¥ó¥¿¡¼¡ÊÆü·Ð¥¢¡¼¥¥Æ¥¯¥Á¥å¥¢¥Ö¥Ã¥¯¥¹¡Ë
¥Û¥Æ¥ë¡¦Î¹´Û¡Ã·úÃ۷ײ衦Àß·×¥·¥ê¡¼¥º28
¥é¥ó¥É¥¹¥±¡¼¥×´ðÁÃÄ´ºº¡Ê¥é¥ó¥É¥¹¥±¡¼¥×¥Ç¥¶¥¤¥ó¥·¥ê¡¼¥º¡Ë
¿··úÃÛ1997ǯ10·î¹æ¡Ã³ãÇîʪ´Û¡¦¸æ¾ó¾®³Ø¹»¡Ê¥×¥í¥¸¥§¥¯¥È¡Ë¡¦Àã¹ñÀ¸³è¸¦µæ½ê¡Ê¥×¥í¥¸¥§¥¯¥È¡ËÀÄÌÚ½ß
a+u2002ǯ1·î¹æ¡ÃÈþ½Ñ´Û: ¥ì¥à¡¦¥³¡¼¥ë¥Ï¡¼¥¹¡¿¥Õ¥é¥ó¥¯¡¦¥²¡¼¥ê¡¼¡¿¥ª¥ë¥È¥Ê¡¼¡õ¥ª¥ë¥È¥Ê¡¼¡¿¥É¥Ê¥ë¥É¡¦¥¸¥ã¥Ã¥É
a+u1999ǯ4·î¹æ¡Ã¥í¥ó¥É¥ó¤Î¿·¤·¤¤·úÃ۲Ȥ¿¤Á
a+u1975ǯ3·îÎ×»þÁý´©¡Ã¸½Â彸¹ç½»Âð
·úÃÛʸ²½2000ǯ11·î¹æ¡Ã¥é¥ó¥É¥¹¥±¡¼¥×: ¡Ç80ǯÂå°Ê¹ß¤Î¸½Âå¥é¥ó¥É¥¹¥±¡¼¥×¤Î»î¤ß
°ËÅìËͺ¡ÃNA·úÃ۲ȥ·¥ê¡¼¥º¡ÊÁýÊä²þÄûÈÇ¡Ë
»öÎã¤ÇÆÉ¤à¸½Â彸¹ç½»Âð¤Î¥Ç¥¶¥¤¥ó
½»Âð¤ËÀ¸¤«¤¹ÏÂÉ÷¤Î¥Ç¥£¥Æ¡¼¥ë¡¿ÌÚ¸¶ÀéÍø
À߷ס¦´ÆÍý¥È¥é¥Ö¥ëȽÎã50Áª
a+u2008ǯ9·î¹æ¡Ã¥¹¥Ú¥¤¥ó¤Î¾®¤µ¤Ê·úÃÛ
ÆîÉô¶Ê¤¬¤ê²ÈÆÉËÜ
·úÃÛ¤Î20À¤µª ½ª¤ï¤ê¤«¤é»Ï¤Þ¤ê¤Ø
¥Ê¥Á¥å¥é¥ë¥¢¡¼¥¥Æ¥¯¥Á¥ã: Åڤȷúʪ¤È½»¤à¿Í¤Îº²¤Î¥Ï¡¼¥â¥Ë¡¼
ÅԻԤϤɤΤ褦¤Ë¤Ä¤¯¤é¤ì¤Æ¤¤¿¤«: ȯÀ¸¤«¤é¸«¤¿ÅԻԤΥ¿¥¤¥Ý¥í¥¸¡¼ (The Cities=New illustrated series)
KPF: ¥³¡¼¥ó¡¦¥Ú¥À¡¼¥»¥ó¡¦¥Õ¥©¥Ã¥¯¥¹ºîÉʽ¸ 1986-1992
¥Ö¥ê¥Æ¥£¥Ã¥·¥å¡¦¥¹¥¿¥¤¥ë170ǯ¡¡ÍýÁÛÅԻԤξÓÁü¤Ë¤ß¤ë¥¤¥®¥ê¥¹¤Î¥¤¥ó¥Æ¥ê¥¢¡¢·úÃÛ¡¢ÅԻԷײè
¥Ç¥£¥Æ¡¼¥ë120/1994ǯ½Õµ¨¹æ¡Ã¥Ç¥£¥Æ¡¼¥ë¤È¤ÎÂÐÖµ¡Ý·úÃ۲ȤÎÀº¿À¤òÆÉ¤à
110¤Î¥¡¼¥ï¡¼¥É¤Ç³Ø¤Ö17¡ÃÀ¤³¦¤Ç°ìÈ֤䤵¤·¤¤2¡ß4½»Âð¡ÊÂè2ÈÇ¡Ë
Ãã¼¼·úÃۤμºݡ¡¾¾Åè½Åͺ
ÃæÂ¼¾»À¸¤¬¸ì¤ë·úÃ۹ֺ ¸Åŵ¤Ë³Ø¤ÖÃã¼¼¤ÎÀß·×
¿··úÃÛ1963ǯ8·î¹æ¡ÃÆÃ½¸: ¹Åç¡Ý¹Åç¤Î·úÃÛ·úÃ۲ȡ¿·úÃÛ¤ÎÀǽɾ²Á¡á¾®³Ø¹»
·úÃÛʸ²½1989ǯ4·î¹æ¡Ã¸¶¹»Ê À¤³¦É÷·Ê¤Î¥Æ¥¯¥Î¥í¥¸¡¼¡¿ÆâÅľͺȼ«Å¡: ¾¼Ï½é´ü¤ÎÅ´¶Úº®µ¼ÅÚ½»Âð
JA20¡Ã·úÃÛǯ´Õ1995¡¿¿··úÃÛ½»ÂðÀß·×¶¥µ»1995·ë²Ìȯɽ¡Ê¿³ºº°÷ ¥¸¥ã¥ó¡¦¥Ì¡¼¥ô¥§¥ë¡Ë
JA17¡Ã·úÃÛǯ´Õ1994¡¿¿··úÃÛ½»ÂðÀß·×¶¥µ»1994·ë²Ìȯɽ¡Ê¿³ºº°÷ ô¢Ê¸É§¡Ë
JA13¡Ã·úÃÛǯ´Õ1993¡¿¿··úÃÛ½»ÂðÀß·×¶¥µ»1993·ë²Ìȯɽ¡Ê¿³ºº°÷ ¥ì¥ó¥¾¡¦¥Ô¥¢¥Î¡Ë
JA5¡Ã·úÃÛǯ´Õ1991¡¿¿··úÃÛ½»ÂðÀß·×¶¥µ»1991·ë²Ìȯɽ¡Ê¿³ºº°÷ ¥Õ¥£¥ê¥Ã¥×¡¦¥¸¥ç¥ó¥½¥ó+°ÂÆ£Ãéͺ¡Ë
¿··úÃÛ1966ǯ10·î¹æ¡ÃP.C. ¤Î¿·¤é¤·¤¤²ÄǽÀ ¥·¥ç¥Ã¥¯¥Ù¥È¥ó¡¿°ëºê¿·¡ÖÂçʬ¿Þ½ñ´Û¡×¡¿¥¢¥ó¥È¥Ë¥ó¡¦¥ì¡¼¥â¥ó¥É¡Ö¿À¸À¿À³Ø±¡¡×
¿··úÃÛ1966ǯ1·î¹æ¡Ã¿·¤·¤¤½»Âð¤Î¤¿¤á¤Ë¡Ý½»ÂðÀ߷פˤª¤±¤ë»ä¤ÎÊýË¡: ð²¼·ò»°¡¦À¶²ÈÀ¶¡¦ÃÓÊÕÍÛ¡¦µÈºåδÀµ¡¦µÈ¼½ç»°¡¦¼Ä¸¶°ìÃË
¥Ï¥Ë¥«¥à¥Á¥å¡¼¥Ö¡¦¥¢¡¼¥¥Æ¥¯¥Á¥ã¡¼¥·¥ê¡¼¥º Á´3ºý¥»¥Ã¥È¡Ê¥Ï¥Ë¥«¥à¥Á¥å¡¼¥Ö¤Î·úÃÛ¡¿¥Ï¥Ë¥«¥à¥À¥¤¥Ê¥ß¥¯¥¹¤Î·úÃÛ¡¿¥Ï¥Ë¥«¥à¥Á¥å¡¼¥Ö¡¦¥¢¡¼¥¥Æ¥¯¥Á¥ã¡¼ ¥Æ¥¯¥Î¥í¥¸¡¼¥Ö¥Ã¥¯¡Ë
¹½Â¤·×²è¤Î¸¶Íý¤È¼ÂÁ©¡¡¶âÈ¢²¹½Õ
JA28¡Ã·úÃÛǯ´Õ1997¡¿¿··úÃÛ½»ÂðÀß·×¶¥µ»1997·ë²Ìȯɽ¡Ê¿³ºº°÷ ¥¸¥ã¥Ã¥¯¡¦¥Ø¥ë¥Ä¥©¡¼¥°¡Ë
Le Corbusier Plans¡¿¥ë¡¦¥³¥ë¥Ó¥å¥¸¥¨ ¥×¥é¥ó¥º DVD¡ÊÁ´4½¸¡¦DVD16Ëç¡Ë
À¶²ÈÀ¶ ¸½ÂåÆüËÜ·úÃÛ²ÈÁ´½¸16
Agenda: Can We Sustain Our Ability to Crisis¡©¡¡JDS Architects
¿·ÁõÈÇ ¿ô´ó²°: ·úÃÛ¤ÈÄí±à¡¡¹±À®°ì·±¡¦°ËÆ£¤Æ¤¤¤¸¡¦²£»³Àµ
Equipment Stores¡ÃArchitect David Chipperfield¡ÊBlueprint Extra 07¡Ë¡¿¥Ç¥ô¥£¥Ã¥É¡¦¥Á¥Ã¥Ñ¡¼¥Õ¥£¡¼¥ë¥É
¤³¤Î¿Í¤¬¸ì¤ë¡Ö»þÂå¤ÈÁϤ¡×¡½Àîµ×ÊÝÎ衦¸ÅÀîµý¡¦°ëºê¿·¡ÃAXIS 1996ǯ3/4·î¹æ Vol.60
¥Õ¥é¥ó¥¯¡¦¥í¥¤¥É¡¦¥é¥¤¥È²ó¸ÜŸ ¿ÞÏ¿ ¥»¥¾¥óÈþ½Ñ´Û 1991
GA JAPAN 179¡ÃÆÃ½¸ ÌڤηúÃÛ
GA JAPAN 177¡ÃºîÉÊ9Âê: »³ËÜÍý¸²¡¿Æ£ËÜÁÔ²ð¡¿ÂçÀ¾Ëãµ®+É´ÅÄÍ´õ¡¿°ÂÆ£Ãéͺ
GA JAPAN 176¡ÃÆÃ½¸ ÃÏÊý¤Î·úÃۡʲȡË
GA JAPAN 175¡ÃÆÃ½¸ ¥¤¥ó¥Æ¥ê¥¢¥Ç¥¶¥¤¥ó
GA JAPAN 154¡ÃÆÃ½¸ Îò»Ë´Ñ¤Î¤Ê¤¸½Âå·úÃÛ¤Ë̤Íè¤Ï¤Ê¤¤·
GA JAPAN 153¡ÃÆÃ½¸ Ãæ´ÖÎΰè
a+u1999ǯ2·î¹æ¡Ã¥µ¥ó¥Ñ¥¦¥í¤Î·úÃÛ²È: ¥ê¥Ê¡¦¥Ü¡¦¥Ð¥ë¥¸¡¢¥Ñ¥¦¥í¡¦¥á¥ó¥Ç¥¹¡¦¥À¡¦¥í¡¼¥·¥ã
a+u1999ǯ5·î¹æ¡Ã¥Ë¥å¡¼¥è¡¼¥¯¡¢¥¨¥ì¥¯¥È¥ê¥Ã¥¯¡¦¥·¥Æ¥£
a+u2008ǯ3·î¹æ¡Ã¥í¥Ø¥ê¥ª¡¦¥µ¥ë¥â¥Ê
a+u2003ǯ1·î¹æ¡Ã¥·¥ó¥±¥ë¤È¥ß¡Ý¥¹
¸½Âå·úÃÛ²È ¥Õ¥é¥ó¥¯¡¦¥í¥¤¥É¡¦¥é¥¤¥È
½ñ±¡ I+II Á´2´¬Â·¡¿Æ£²¬ÄÌÉס¦¹±À®°ì·±
¥Ð¥Ã¥¯¥ß¥ó¥¹¥¿¡¼¡¦¥Õ¥é¡¼¤ÎÀ¤³¦: 21À¤µª¥¨¥³¥í¥¸¡¼¡¦¥Ç¥¶¥¤¥ó¤Ø¤ÎÀè¶î
¥Õ¥¸¥Æ¥ì¥ÓËܼҥӥë¤ÎµÏ¿: ¹âÅÙ¾ðÊó²½¼Ò²ñ¤ÎÂ絬ÌÏÊ£¹ç·úÃۤθ¶ÅÀ¤òµá¤á¤Æ
ÅÚ¡¦·úÃÛ¡¦´Ä¶: ¥¨¥³»þÂå¤ÎºÆÈ¯¸«¡¿¥²¥ë¥Î¡¼¥È¡¦¥ß¥ó¥±
¿ÞÀâ ÅÔ»Ô¤ÎÀ¤³¦»Ë Á´4´¬Â·¡¿¥ì¥ª¥Ê¥ë¥É¡¦¥Ù¥Í¡¼¥ô¥§¥í
TADAO ANDO¡ÃHILL OF THE BUDDHA¡¿°ÂÆ£Ãéͺ¡ÖƬÂçʩšʿ¿¶ðÆâÂìÌîÎî±à¡Ë¡×¡ÊÃø¼Ô¥µ¥¤¥ó¡¦¥É¥í¡¼¥¤¥ó¥°ÉÕ¡Ë
½»Â𡦽¸¹ç½»Âð 1972-2014¡¡Ä¹Ã«Àî°ï»Ò
Alberto Campo Baeza: progetti e costruzioni¡¿¥¢¥ë¥Ù¥ë¥È¡¦¥«¥ó¥Ý¡¦¥Ð¥¨¥¶ºîÉʽ¸¡ÊDocumenti di architettura¡Ë
El Croquis 187¡ÃSergison Bates / ¥µ¡¼¥¸¥½¥ó¡¦¥Ù¥¤¥Ä 2004-2016
Oscar Niemeyer¡¡¥ª¥¹¥«¡¼¡¦¥Ë¡¼¥Þ¥¤¥ä¡¼ºîÉʽ¸